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NAOMI RAMONA SCHLIESMAN: BEAUTIFUL CHAOSJanuary 12 - February 25, 2023, Main Gallery
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Exhibition Details
View Gallery
Naomi RaMona Schliesman is an award-winning interdisciplinary artist with over 20 years of experience. She received her BFA with an emphasis in sculpture from Minnesota State University Moorhead (2004), and an MFA from the University of Wisconsin-Madison (2009). Her work has been exhibited nationally in New York, Chicago, Minneapolis/St. Paul, Pittsburg, Brooklyn, Seattle and across the Midwest. Schliesman has been awarded Fellowships from Ragdale Foundation and Kimmel Hardening Nelson Center for the Arts. Recently she was selected to be one of two Artist Organizers for a project mentoring youth for the development of the multimedia exhibit “Return to Normal? COVID Diaries from Local Youth” funded by CDC Foundation in partnership with Springboard for the Arts, Otter Tail County Historical Society and Otter Tail County Public Health Department. Schliesman has studied art internationally and has participated in artist residencies at Vermont Studio Center, Kimmel Hardening Nelson Center for the Arts, Ragadale, The Traveling Museum and Hospitalfield Arts.
Beautiful CHAOS is a compilation of 2D and 3D sculptural artworks that speak to society’s contemporary struggle of navigating “new normals” amidst the systemic failures of zeitgeist institutions; and how beauty can become the catalyst for joy, collective healing, and forming generative solutions for the future.
Naomi RaMona Schliesman is a fiscal year 2022 recipient of a Creative Support for Individuals grant from the Minnesota State Arts Board. This activity is made possible by the voters of Minnesota through a grant from the Minnesota State Arts Board, thanks to a legislative appropriation from the arts and cultural heritage fund.
Naomi RaMona Schliesman is an award-winning interdisciplinary artist with over 20 years of experience. She received her BFA with an emphasis in sculpture from Minnesota State University Moorhead (2004), and an MFA from the University of Wisconsin-Madison (2009). Her work has been exhibited nationally in New York, Chicago, Minneapolis/St. Paul, Pittsburg, Brooklyn, Seattle and across the Midwest. Schliesman has been awarded Fellowships from Ragdale Foundation and Kimmel Hardening Nelson Center for the Arts. Recently she was selected to be one of two Artist Organizers for a project mentoring youth for the development of the multimedia exhibit “Return to Normal? COVID Diaries from Local Youth” funded by CDC Foundation in partnership with Springboard for the Arts, Otter Tail County Historical Society and Otter Tail County Public Health Department. Schliesman has studied art internationally and has participated in artist residencies at Vermont Studio Center, Kimmel Hardening Nelson Center for the Arts, Ragadale, The Traveling Museum and Hospitalfield Arts.
Beautiful CHAOS is a compilation of 2D and 3D sculptural artworks that speak to society’s contemporary struggle of navigating “new normals” amidst the systemic failures of zeitgeist institutions; and how beauty can become the catalyst for joy, collective healing, and forming generative solutions for the future.
Naomi RaMona Schliesman is a fiscal year 2022 recipient of a Creative Support for Individuals grant from the Minnesota State Arts Board. This activity is made possible by the voters of Minnesota through a grant from the Minnesota State Arts Board, thanks to a legislative appropriation from the arts and cultural heritage fund.
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JENNY FIELD: RETROSPECTIVEOctober 13 - December 23, 2022, Main Gallery
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Exhibition Details
Watch artist talk
Field is a rural artist who works from her tiny studio in Maine township near Phelps Mill. Her "life's drive" has been creating art. During the span of her career, she has created more than 500 feet of murals in Minnesota homes and businesses; taught art classes for children and adults; owned and operated a seasonal antiques and art business; and collaborated with other local artists, all while creating art pieces for gallery shows. She is currently focusing on oil and acrylic wall art that evokes emotion and occasional questioning through the use of vibrant color, line, movement, and texture.
This retrospective includes three decades of vivid painted works by area artist Jenny Field. The series of large, colorful works will include expressionistic canvases, early examples of her painted furniture, mixed media pieces, and small decorative items.
Field is a rural artist who works from her tiny studio in Maine township near Phelps Mill. Her "life's drive" has been creating art. During the span of her career, she has created more than 500 feet of murals in Minnesota homes and businesses; taught art classes for children and adults; owned and operated a seasonal antiques and art business; and collaborated with other local artists, all while creating art pieces for gallery shows. She is currently focusing on oil and acrylic wall art that evokes emotion and occasional questioning through the use of vibrant color, line, movement, and texture.
This retrospective includes three decades of vivid painted works by area artist Jenny Field. The series of large, colorful works will include expressionistic canvases, early examples of her painted furniture, mixed media pieces, and small decorative items.
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KIMBERLY KENYON: FROM THE MEADOWOctober 13 - December 23, 2022, Studio K
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Exhibition Details
Watch artist talk
Kimberly Kenyon is a visual artist who, after living and working as a graphic designer in Fargo/Moorhead for many years, has recently moved back to her rural childhood home in the hills near Erhard, Minnesota. From the Meadow is a love note to home and the part of her that never really left there.
Kimberly Kenyon is a visual artist who, after living and working as a graphic designer in Fargo/Moorhead for many years, has recently moved back to her rural childhood home in the hills near Erhard, Minnesota. From the Meadow is a love note to home and the part of her that never really left there.
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Kandace Creel Falcón: RootsAugust 11 – October 1, 2022, Main Gallery
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Exhibition Details
Watch artist talk
Kandace Creel Falcón, Ph.D. is an interdisciplinary feminist scholar, writer, and visual artist. Their life’s passion grounds the power of narrative for social transformation. As a Xicanx femme feminist, KCF’s work is driven to disrupt conventional notions related to femininity and domesticity. Drawn to interdisciplinary inquiry and mixed-media methods of painting, fabric arts, and writing KCF brings together various mediums to make sense of the world around them. She lives and works in rural Erhard, MN.
Roots is a contemporary series of narrative paintings which examine the legacy of Mexican born migrant workers who built the Santa Fe Railroad in Falcón’s native state of Kansas during the early part of the 20th century.
www.kjcfalcon.com / IG @ArtofKCF
Kandace Creel Falcón, Ph.D. is an interdisciplinary feminist scholar, writer, and visual artist. Their life’s passion grounds the power of narrative for social transformation. As a Xicanx femme feminist, KCF’s work is driven to disrupt conventional notions related to femininity and domesticity. Drawn to interdisciplinary inquiry and mixed-media methods of painting, fabric arts, and writing KCF brings together various mediums to make sense of the world around them. She lives and works in rural Erhard, MN.
Roots is a contemporary series of narrative paintings which examine the legacy of Mexican born migrant workers who built the Santa Fe Railroad in Falcón’s native state of Kansas during the early part of the 20th century.
www.kjcfalcon.com / IG @ArtofKCF
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W. SCOTT OLSEN: A MEMORY OF STEELAugust 11 – October 1, 2022, Studio K
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Exhibition Details
Watch artist talk, part 1
Watch artist talk, part 2
W. Scott Olsen is a professor of English at Concordia College in Moorhead, Minnesota. The author of twelve books of narrative travel/adventure nonfiction, mostly about road trips and flying a small airplane, his work frequently appears in literary and commercial magazines as well as newspapers. His photography has been published in magazines internationally and been exhibited in galleries throughout the region. He lives in Moorhead.
A Memory of Steel is a collection of images taken at the abandoned Fargo Foundry in Fargo, ND the day before the building was destroyed by fire.
http://blog.cord.edu/wscottolsen
This activity is made possible by the voters of Minnesota through grants from the Lake Region Arts Council, thanks to a legislative appropriation from the Arts and Cultural Heritage fund.
Watch artist talk, part 2
W. Scott Olsen is a professor of English at Concordia College in Moorhead, Minnesota. The author of twelve books of narrative travel/adventure nonfiction, mostly about road trips and flying a small airplane, his work frequently appears in literary and commercial magazines as well as newspapers. His photography has been published in magazines internationally and been exhibited in galleries throughout the region. He lives in Moorhead.
A Memory of Steel is a collection of images taken at the abandoned Fargo Foundry in Fargo, ND the day before the building was destroyed by fire.
http://blog.cord.edu/wscottolsen
This activity is made possible by the voters of Minnesota through grants from the Lake Region Arts Council, thanks to a legislative appropriation from the Arts and Cultural Heritage fund.
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Syrian RefugePhotography by David Waage
June 9 – July 30, 2022, Main Gallery |
Exhibition Details
Watch artist talk
David Waage was born and raised in Fergus Falls, and attended Fergus Falls High School and Fergus Falls Community College. He began taking pictures in Fergus Falls, and studied photography and worked as a photographer at California Lutheran University. After obtaining a Master's Degree at London Business School Waage launched a photography studio in New York. He has traveled to 45 countries and published work in the US, Europe, and Japan.
Syrian Refuge is a project Waage worked on for ten years, documenting moments of refuge for a group of Syrian refugees living in Beirut, Lebanon. He hopes to raise awareness and empathy for the plight of refugees by exhibiting this work at Kaddatz Galleries.
David Waage was born and raised in Fergus Falls, and attended Fergus Falls High School and Fergus Falls Community College. He began taking pictures in Fergus Falls, and studied photography and worked as a photographer at California Lutheran University. After obtaining a Master's Degree at London Business School Waage launched a photography studio in New York. He has traveled to 45 countries and published work in the US, Europe, and Japan.
Syrian Refuge is a project Waage worked on for ten years, documenting moments of refuge for a group of Syrian refugees living in Beirut, Lebanon. He hopes to raise awareness and empathy for the plight of refugees by exhibiting this work at Kaddatz Galleries.
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NAM: Now a MemoryArtwork by Jim Fletcher
March 24 – May 28, 2022, Main Gallery |
Exhibition Details
Watch artist talk
NAM: Now a Memory contains artwork created by artist and Vietnam war Veteran, Jim Fletcher. Fletcher’s works are a visual portrayal of memory that are neither intended to criticize nor dramatize the American involvement in Vietnam. There is no political statement, chronological succession or plot. All images are reactions to sudden, spontaneous recollections triggered by experiences in daily life. This exhibit has been shown throughout the U.S. and has opened the eyes for many to the realities, hardships and horrors of war. It has removed the false façade of glory.
Jim Fletcher is a prolific and celebrated local artist, author, musician and retired educator who uses a variety of mediums to illustrate the landscapes and people he sees around him both on his travels and in his local stomping ground of Maplewood State Park near his home in Pelican Rapids.
This exhibition is part of the NEA Big Read program in partnership with the Fergus Falls Public Library.
The NEA Big Read featured book is The Best We Can Do by Thi Bui.
NEA Big Read is a program of the National Endowment for the Arts in partnership with Arts Midwest.
NAM: Now a Memory contains artwork created by artist and Vietnam war Veteran, Jim Fletcher. Fletcher’s works are a visual portrayal of memory that are neither intended to criticize nor dramatize the American involvement in Vietnam. There is no political statement, chronological succession or plot. All images are reactions to sudden, spontaneous recollections triggered by experiences in daily life. This exhibit has been shown throughout the U.S. and has opened the eyes for many to the realities, hardships and horrors of war. It has removed the false façade of glory.
Jim Fletcher is a prolific and celebrated local artist, author, musician and retired educator who uses a variety of mediums to illustrate the landscapes and people he sees around him both on his travels and in his local stomping ground of Maplewood State Park near his home in Pelican Rapids.
This exhibition is part of the NEA Big Read program in partnership with the Fergus Falls Public Library.
The NEA Big Read featured book is The Best We Can Do by Thi Bui.
NEA Big Read is a program of the National Endowment for the Arts in partnership with Arts Midwest.
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Textures of RemembranceVietnamese Artists and Writers Reflect on the Vietnamese Diaspora
January 22 – March 12, 2022 |
Exhibition Details
Watch promo video
Textures of Remembrance: Vietnamese Artists and Writers Reflect on the Vietnamese Diaspora is a new traveling exhibit containing contemporary artwork by emerging artists and writers. Their works explore a date that impacted many Vietnamese Americans: April 30, 1975, the Fall/Liberation of Saigon and end of the Vietnam war. Reflecting on this day through written words, visual creations, and audiovisual components, an intimate perspective of the Vietnamese diasporic/refugee experience is revealed.
Installation of this exhibit was supported by and is part of the NEA Big Read program in partnership with the Fergus Falls Public Library. The NEA Big Read featured book is The Best We Can Do by Thi Bui.
Textures of Remembrance is a traveling exhibit created in partnership between Exhibit Envoy, the Diasporic Vietnamese Artists Network and Oakland Asian Cultural Center. This project was made possible with support from California Humanities, a non-profit partner of the National Endowment for the Humanities, and California Arts Council, a state agency with a mission to strengthen arts, culture, and creative expression as the tools to cultivate a better California for all.
NEA Big Read is a program of the National Endowment for the Arts in partnership with Arts Midwest.
Textures of Remembrance: Vietnamese Artists and Writers Reflect on the Vietnamese Diaspora is a new traveling exhibit containing contemporary artwork by emerging artists and writers. Their works explore a date that impacted many Vietnamese Americans: April 30, 1975, the Fall/Liberation of Saigon and end of the Vietnam war. Reflecting on this day through written words, visual creations, and audiovisual components, an intimate perspective of the Vietnamese diasporic/refugee experience is revealed.
Installation of this exhibit was supported by and is part of the NEA Big Read program in partnership with the Fergus Falls Public Library. The NEA Big Read featured book is The Best We Can Do by Thi Bui.
Textures of Remembrance is a traveling exhibit created in partnership between Exhibit Envoy, the Diasporic Vietnamese Artists Network and Oakland Asian Cultural Center. This project was made possible with support from California Humanities, a non-profit partner of the National Endowment for the Humanities, and California Arts Council, a state agency with a mission to strengthen arts, culture, and creative expression as the tools to cultivate a better California for all.
NEA Big Read is a program of the National Endowment for the Arts in partnership with Arts Midwest.
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KADDATZ RESIDENT ARTISTSNovember 26, 2021 – January 6, 2022, Main Gallery
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Exhibition Details
Kaddatz Resident Artists
The Kaddatz Resident Artists exhibition, consists of work from three of the artists who live and create in the artist lofts that are located upstairs from the galleries in the upper two levels of the Kaddatz building.
Karla Gallagher
"I paint with acrylics on canvas and board. I also draw using markers, gel pens, graphite and occasionally charcoal. My subjects are mostly people but I enjoy drawing animals and flowers and often bring them together to tell a story. There are times when I just like to create with no specific intention other than to make something beautiful and pleasing to look at. On the other hand, If I really feel strongly about something and it needs to be expressed, I study my subjects and explore ideas and emotions in order to allow the imagery to be designed in my mind. I enjoy making art that people can relate to, that isn’t obscure or hard to understand. I want them to get it, to feel it and to walk away feeling better or moved in some way.
The style of my work is inspired by Klimt and has developed and evolved over the years due to different influences like the Zentangle method and a love of making repetitive patterns. It’s addicting, therapeutic and so satisfying to me."
Eric Santwire
"Born in Rochester, Minnesota, I grew up nearby in Detroit Lakes. After graduating from Minnesota State University/Moorhead with a major in Film Studies and a Minor in Studio Art, I spent twelve years living in Minneapolis, exploring the arts scene while practicing in the mediums of filmmaking, photography, painting, writing and music. Since moving to Fergus Falls in 2004 (and becoming one of the first tenants of the Newly renovated Kaddatz), I’ve worked as a freelance artist and as a gallery assistant at the Kaddatz Galleries.
Over the last several years my photographs and paintings have been featured in galleries and museums throughout Minnesota and North Dakota including The Plains Art Museum and most recently, an online, multi-artist show at The Minneapolis Institute of Art.
All but a few pieces in the current show are “portraits” taken in the last three or four years and being displayed for the first time. A couple were first presented as part of my 2017 Studio K exhibit, Distortions: Filters and Refractions (and Other Aberrations)."
Karan Ouren
Karan Ouren resides in Fergus Falls, MN at the Kaddatz Artist Loft's. Karan is a self taught artist who began painting in 2007 and in 2013 her art career took a turn to abstract/impressionism painting, using acrylic's/mixed media on canvas and other substrates. Her love for new and exciting techniques can be seen in her work. Karan has most recently started exploring printmaking, which began after taking a Lino Cut Printmaking Class provided by Kaddatz Galleries. Karan's art reflects a variety of subjects and through her use of various mediums the viewer will see a consistency in her brushstrokes and overall style.
The Kaddatz Resident Artists exhibition, consists of work from three of the artists who live and create in the artist lofts that are located upstairs from the galleries in the upper two levels of the Kaddatz building.
Karla Gallagher
"I paint with acrylics on canvas and board. I also draw using markers, gel pens, graphite and occasionally charcoal. My subjects are mostly people but I enjoy drawing animals and flowers and often bring them together to tell a story. There are times when I just like to create with no specific intention other than to make something beautiful and pleasing to look at. On the other hand, If I really feel strongly about something and it needs to be expressed, I study my subjects and explore ideas and emotions in order to allow the imagery to be designed in my mind. I enjoy making art that people can relate to, that isn’t obscure or hard to understand. I want them to get it, to feel it and to walk away feeling better or moved in some way.
The style of my work is inspired by Klimt and has developed and evolved over the years due to different influences like the Zentangle method and a love of making repetitive patterns. It’s addicting, therapeutic and so satisfying to me."
Eric Santwire
"Born in Rochester, Minnesota, I grew up nearby in Detroit Lakes. After graduating from Minnesota State University/Moorhead with a major in Film Studies and a Minor in Studio Art, I spent twelve years living in Minneapolis, exploring the arts scene while practicing in the mediums of filmmaking, photography, painting, writing and music. Since moving to Fergus Falls in 2004 (and becoming one of the first tenants of the Newly renovated Kaddatz), I’ve worked as a freelance artist and as a gallery assistant at the Kaddatz Galleries.
Over the last several years my photographs and paintings have been featured in galleries and museums throughout Minnesota and North Dakota including The Plains Art Museum and most recently, an online, multi-artist show at The Minneapolis Institute of Art.
All but a few pieces in the current show are “portraits” taken in the last three or four years and being displayed for the first time. A couple were first presented as part of my 2017 Studio K exhibit, Distortions: Filters and Refractions (and Other Aberrations)."
Karan Ouren
Karan Ouren resides in Fergus Falls, MN at the Kaddatz Artist Loft's. Karan is a self taught artist who began painting in 2007 and in 2013 her art career took a turn to abstract/impressionism painting, using acrylic's/mixed media on canvas and other substrates. Her love for new and exciting techniques can be seen in her work. Karan has most recently started exploring printmaking, which began after taking a Lino Cut Printmaking Class provided by Kaddatz Galleries. Karan's art reflects a variety of subjects and through her use of various mediums the viewer will see a consistency in her brushstrokes and overall style.
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2021 LRAC ARTIST COHORTNovember 26, 2021 – January 6, 2022, Studio K
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Exhibition Details
2021 LRAC Artist Cohort
The 2021 LRAC Artist Cohort exhibition contains work from four of the selected artists from this year's Lake Region Arts Council's annual Artist Cohort program.
Kandace Creel Falcón
Kandace Creel Falcón, Ph.D. (b.1981) is an interdisciplinary feminist scholar, writer, and visual artist. Their life’s passion grounds the power of narrative for social transformation. Drawn to mixed-media methods of painting, fabric arts, and writing KCF brings together various mediums to make sense of the world around them. They live and work in rural Erhard, MN with their wife, chickens, goats, cats, and chihuahuas.
www.kjcfalcon.com
Instagram: @ArtofKCF
Nancy XiáoRong Valentine
Nancy XiáoRong Valentine (she/her) is a Chinese-American artist living and making a life in rural Otter Tail County, Minnesota. Conceived as the second child of a family residing in Lanzhou, Gansu during the era of China’s ‘One Child Policy,’ Valentine views her artistry as a channel to deepen her cultural connections to and between her Chinese heritage and Midwestern roots. With a creative process that begins and ends with intention, Valentine’s artwork is woven with nuance and symbolism resulting in conceptually complex visual stories meant to evoke empathy.
www.nancyxvalentine.com
Social Media: @nancyxvalentine
Carmen McCullough
Carmen McCullough is an artist specializing in mixed media oddities and experiences found off the beaten path. Her one-of-a-kind collages and assemblages are made with paint, photos, fabric, and trinkets from the past. Inspiration is everywhere! Carmen finds it in old and abandoned places, the night sky, a quiet cemetery, a witchy grimoire and the changing seasons.
www.StrangeFarmGirl.com
Social Media: @strangefarmgirl
Michael Burgraff
"I work to throw a perfect cylinder. In college, my ceramics professor, who knew I was only there to hide from the theatre department, challenged me to throw a perfect cylinder. It is funny how this statement became a lifelong goal. As a continued escape to center me over the last 45 years I have found a way back to ceramics. While yet to throw a “perfect cylinder” I have discovered and rediscovered the joy of creating an art form intended, for the most part, to be held, used, and enjoyed. A vast percentage of my pottery is practical and earthy. I see my art connecting to people and back to the earth from which it came. I rarely turn down a request from others to try throwing and am happy to step aside and let them try. My heart swells to see a chunk of clay turned into a chunk of pride others express when they have a piece of art they created. On the wheel, forms start from a cylinder. I will continue, as long as my body allows, on the quest of a perfect cylinder and hope others will enjoy all the not so perfect pottery produced in that effort."
Facebook: @tinhorseenterprises
The 2021 LRAC Artist Cohort exhibition contains work from four of the selected artists from this year's Lake Region Arts Council's annual Artist Cohort program.
Kandace Creel Falcón
Kandace Creel Falcón, Ph.D. (b.1981) is an interdisciplinary feminist scholar, writer, and visual artist. Their life’s passion grounds the power of narrative for social transformation. Drawn to mixed-media methods of painting, fabric arts, and writing KCF brings together various mediums to make sense of the world around them. They live and work in rural Erhard, MN with their wife, chickens, goats, cats, and chihuahuas.
www.kjcfalcon.com
Instagram: @ArtofKCF
Nancy XiáoRong Valentine
Nancy XiáoRong Valentine (she/her) is a Chinese-American artist living and making a life in rural Otter Tail County, Minnesota. Conceived as the second child of a family residing in Lanzhou, Gansu during the era of China’s ‘One Child Policy,’ Valentine views her artistry as a channel to deepen her cultural connections to and between her Chinese heritage and Midwestern roots. With a creative process that begins and ends with intention, Valentine’s artwork is woven with nuance and symbolism resulting in conceptually complex visual stories meant to evoke empathy.
www.nancyxvalentine.com
Social Media: @nancyxvalentine
Carmen McCullough
Carmen McCullough is an artist specializing in mixed media oddities and experiences found off the beaten path. Her one-of-a-kind collages and assemblages are made with paint, photos, fabric, and trinkets from the past. Inspiration is everywhere! Carmen finds it in old and abandoned places, the night sky, a quiet cemetery, a witchy grimoire and the changing seasons.
www.StrangeFarmGirl.com
Social Media: @strangefarmgirl
Michael Burgraff
"I work to throw a perfect cylinder. In college, my ceramics professor, who knew I was only there to hide from the theatre department, challenged me to throw a perfect cylinder. It is funny how this statement became a lifelong goal. As a continued escape to center me over the last 45 years I have found a way back to ceramics. While yet to throw a “perfect cylinder” I have discovered and rediscovered the joy of creating an art form intended, for the most part, to be held, used, and enjoyed. A vast percentage of my pottery is practical and earthy. I see my art connecting to people and back to the earth from which it came. I rarely turn down a request from others to try throwing and am happy to step aside and let them try. My heart swells to see a chunk of clay turned into a chunk of pride others express when they have a piece of art they created. On the wheel, forms start from a cylinder. I will continue, as long as my body allows, on the quest of a perfect cylinder and hope others will enjoy all the not so perfect pottery produced in that effort."
Facebook: @tinhorseenterprises
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LISA BERGH: DEAR DIARYOctober 6 - November 18, 2021, Main Gallery
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Exhibition Details
“My work examines the cerebral and aesthetic weight of our internal, emotional worlds. Working with paper is central to my process, using the material to merge the techniques of drawing, painting, sculpture, and installation. I repeatedly access a visual vocabulary constructed from the language of abstraction. I seek to magnify visual and physical gestures, illustrating emotional tension, and constructing sculptural mark making. My creative methodology fuels my interest in our intellectual and emotional responses to color, space, and architecture.
Dear Diary is informed from sense memories, my own and those that have become mine. The works on display are fragments pulled from an ephemeral catalog of experience, time, and place; interactions from the past and present bundled into objects weighted by color, tension, and their subjective recollection and presentation.
In addition to my studio practice, I work as an advocate for the rural arts and culture movement and serve as an art instructor for Ridgewater College.”
Dear Diary is informed from sense memories, my own and those that have become mine. The works on display are fragments pulled from an ephemeral catalog of experience, time, and place; interactions from the past and present bundled into objects weighted by color, tension, and their subjective recollection and presentation.
In addition to my studio practice, I work as an advocate for the rural arts and culture movement and serve as an art instructor for Ridgewater College.”
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STEVE GUTTORMSON: ALL THAT CHROMEOctober 5 - November 18, 2021, Studio K
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Exhibition Details
All That Chrome
“The automobile holds a top position in the American psyche. It’s more than just our primary mode of transportation. It prompts strong emotions for many of us.
For me, it’s all about thoughtful and unmistakable design: the horizontal curved brow over a teardrop-shaped taillight on a 1959 Chevy Impala. Even in the dark, it’s the turn signal lens separating pairs of headlights at each corner of a 1967 Olds Cutlass.
While editing images in this exhibit, I found myself pondering how tightly our culture embraces the automobile, for better or worse. The automobile is loaded with personal meaning, especially in America. Just consider the automotive influence on popular music through the past 60+ years: Marc Cohn communicates strong emotional bonds between a father and child in “Silver Thunderbird.” Wilson Pickett moved us in a whole other way with “Mustang Sally.” The British invaded with “Baby, you can drive my car, and maybe I'll love you."
Scores of songs like these are some of the most singable pieces of music ever written. I hope the images shared here are as accessible. At the same time, I hope they are visually intriguing enough to engage you in the dynamic elements that make each of these cars beautiful and unique.”
Steve Guttormson
“My parents drove me home from Lake Region Hospital in a 1958 Ford Fairlane 500 shortly after I was born. As a child standing in the front seat of a station wagon destined for Grandma’s house in North Dakota, I passed the time by spotting and identifying the cars we met on the road. I knew them all.
While I envisioned becoming an automotive designer, I took a twisting journey into a career in marketing. Attending Moorhead State University, I started as an art major, took a year-long side trip into architecture, and finished with a bachelor’s degree in mass communication.
Now, after serving various roles in that field for thirty-some-odd years, I’m interested in creative work that is more open ended in its purpose. I want to create images that allow the viewer to take things in a less prescribed direction: in the case of this exhibit, to a favorite family trip, hot date, or other meaningful memory.”
“The automobile holds a top position in the American psyche. It’s more than just our primary mode of transportation. It prompts strong emotions for many of us.
For me, it’s all about thoughtful and unmistakable design: the horizontal curved brow over a teardrop-shaped taillight on a 1959 Chevy Impala. Even in the dark, it’s the turn signal lens separating pairs of headlights at each corner of a 1967 Olds Cutlass.
While editing images in this exhibit, I found myself pondering how tightly our culture embraces the automobile, for better or worse. The automobile is loaded with personal meaning, especially in America. Just consider the automotive influence on popular music through the past 60+ years: Marc Cohn communicates strong emotional bonds between a father and child in “Silver Thunderbird.” Wilson Pickett moved us in a whole other way with “Mustang Sally.” The British invaded with “Baby, you can drive my car, and maybe I'll love you."
Scores of songs like these are some of the most singable pieces of music ever written. I hope the images shared here are as accessible. At the same time, I hope they are visually intriguing enough to engage you in the dynamic elements that make each of these cars beautiful and unique.”
Steve Guttormson
“My parents drove me home from Lake Region Hospital in a 1958 Ford Fairlane 500 shortly after I was born. As a child standing in the front seat of a station wagon destined for Grandma’s house in North Dakota, I passed the time by spotting and identifying the cars we met on the road. I knew them all.
While I envisioned becoming an automotive designer, I took a twisting journey into a career in marketing. Attending Moorhead State University, I started as an art major, took a year-long side trip into architecture, and finished with a bachelor’s degree in mass communication.
Now, after serving various roles in that field for thirty-some-odd years, I’m interested in creative work that is more open ended in its purpose. I want to create images that allow the viewer to take things in a less prescribed direction: in the case of this exhibit, to a favorite family trip, hot date, or other meaningful memory.”
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JON KAMRATH: STRUCTURES & IMAGININGSAugust 11 - September 30, 2021, Main Gallery
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Exhibition Details
Like many artists (and non-artists), the global pandemic and challenging recovery impacted the way that I work and perceive the world around me. Structures and Imaginings are two separate but related series of work that have each taken on additional meaning during this challenging time.
My Structures series derives its name from both the building-like structures themselves, and the scaffolding support structures below that serve as a foundation for the pieces. As I am building these sculptures, I like to think of the scaffolding as the visual representation of societal and personal support structures we all use in our lives. We often take for granted the permanence of things such as relationships, health, or the environment, and build elaborate structures upon them assuming their longevity and eternal support. Events such as the pandemic, health crises, or environmental change highlight the fragility and fleeting nature of our existence. I am very interested in the elaborate constructs we build in our personal relationships and the precarious foundations we often choose to build them upon. By exposing the scaffolding, these sculptures reveal the support structures and bring this often-overlooked functional component into the foreground. By highlighting the constant cycle of damage and repair these structures face, I am attempting to portray the instability and the disappearing permanence in our lives and situations.
While Structures examines current situations and previously laid foundations, Imaginings explores new ideas and possibilities of sculptures that can be. These works are designed to function both as independent stand-alone sculptures, and as maquettes for large scale public or commercial projects. I like to think of these sculptures as ideas still closer to the beginning of their design arc, with endless possibilities still open in their future. Some imaginings have already been scaled up and are currently visible in various cities throughout the Midwest, some are concepts waiting to be further developed, and others are simply products of the imagination.
Jon Kamrath Biography
As a child Jon dreamed of being an artist, of filling galleries and creating large outdoor sculptures, or of being a teacher and helping others make cool things. He studied Art and Art Education at Concordia College, then landed the greatest job ever, an Art Teacher, and enjoyed inspiring students for over a decade. His first job was at Fergus Falls middle school, and when the Kaddatz Hotel was remodeled, he was the first resident to move in. He later received his Masters of Fine Arts from Iowa State University. Eventually he decided it was time to use all the lessons he had learned from thousands of students, and took a “short break” from his dream job to focus on his own artistic vision, quickly finding success. Years later, he is still living out his childhood fantasy, filling galleries and sculpting large-scale outdoor works for cities, universities, corporations and private collectors. He is always thrilled to learn about the successes of his former art students and even occasionally collaborates with them on various projects such as publishing a book or organizing exhibitions.
Jon’s studio is located in Mahtomedi, MN, where he lives with his muse and their 3 young children. He inherited craftsmanship skills, love of tools, and architectural appreciation from working with his father as a finish carpenter during the summers and now blends these skills with the playful inspiration of his kids and the artistic vocabulary he learned through studying and teaching art. You can find more of Jon’s work on his website or social media pages
www.KamrathSculpture.com
www.instagram.com/kamrathsculpture/
My Structures series derives its name from both the building-like structures themselves, and the scaffolding support structures below that serve as a foundation for the pieces. As I am building these sculptures, I like to think of the scaffolding as the visual representation of societal and personal support structures we all use in our lives. We often take for granted the permanence of things such as relationships, health, or the environment, and build elaborate structures upon them assuming their longevity and eternal support. Events such as the pandemic, health crises, or environmental change highlight the fragility and fleeting nature of our existence. I am very interested in the elaborate constructs we build in our personal relationships and the precarious foundations we often choose to build them upon. By exposing the scaffolding, these sculptures reveal the support structures and bring this often-overlooked functional component into the foreground. By highlighting the constant cycle of damage and repair these structures face, I am attempting to portray the instability and the disappearing permanence in our lives and situations.
While Structures examines current situations and previously laid foundations, Imaginings explores new ideas and possibilities of sculptures that can be. These works are designed to function both as independent stand-alone sculptures, and as maquettes for large scale public or commercial projects. I like to think of these sculptures as ideas still closer to the beginning of their design arc, with endless possibilities still open in their future. Some imaginings have already been scaled up and are currently visible in various cities throughout the Midwest, some are concepts waiting to be further developed, and others are simply products of the imagination.
Jon Kamrath Biography
As a child Jon dreamed of being an artist, of filling galleries and creating large outdoor sculptures, or of being a teacher and helping others make cool things. He studied Art and Art Education at Concordia College, then landed the greatest job ever, an Art Teacher, and enjoyed inspiring students for over a decade. His first job was at Fergus Falls middle school, and when the Kaddatz Hotel was remodeled, he was the first resident to move in. He later received his Masters of Fine Arts from Iowa State University. Eventually he decided it was time to use all the lessons he had learned from thousands of students, and took a “short break” from his dream job to focus on his own artistic vision, quickly finding success. Years later, he is still living out his childhood fantasy, filling galleries and sculpting large-scale outdoor works for cities, universities, corporations and private collectors. He is always thrilled to learn about the successes of his former art students and even occasionally collaborates with them on various projects such as publishing a book or organizing exhibitions.
Jon’s studio is located in Mahtomedi, MN, where he lives with his muse and their 3 young children. He inherited craftsmanship skills, love of tools, and architectural appreciation from working with his father as a finish carpenter during the summers and now blends these skills with the playful inspiration of his kids and the artistic vocabulary he learned through studying and teaching art. You can find more of Jon’s work on his website or social media pages
www.KamrathSculpture.com
www.instagram.com/kamrathsculpture/
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DIane SCully: Borders & BoundariesAugust 11 - September 30, 2021, Studio K
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Exhibition Details
For the past two years I have explored the theme of Borders and Boundaries. Studying the confinement or expansion, self imposed or cultural norms and morays that we are born into. How we handle those choices and define who we are as a person/people. Also in turn, how we consciously choose to address or ignore those influences that effect our lives.
My work is abstract since that is how I experience life. We view life in segments, fleeting images and sounds, a simple flash of an impression. I may notice those nuances due to color, texture, spatial dimensions, surface, the dynamics between all of them and the statement and reason behind them. My work focuses on my reaction to the visual that I see and it is why place, time and location are instrumental.
I begin intuitively, allowing the painting to evolve and resolve itself through having a dialogue with it. The elements within a work have a dialogue while I paint and in turn, I have a conversation/dance with the artwork in order to arrive at a finished form. I find the composition and surface to show itself to me over time. At times this conversation can happen quickly if I am open to it and at other times it takes months or years to become resolved.
I have discovered that using oil and cold wax allows for surface build up, printmaking techniques, and texture to become a part of the finished piece. There is a transparency to the color which is strong yet seductive. The tools (rubber bowl scrapers, brayers, scribes, chopsticks, fingers) are instrumental in my painting process since mark making encourages a individual calligraphic dimension to the textures. The physical act of painting and mark making can be explored due to the addition of adding cold wax medium with oil paint, creating a slower drying time.
Diane Scully Biography
Being an introvert from a young age, I drew making my own personal symbols and marks. I grew up as an observer of my surroundings in my life and have a visual warehouse of things that most often go unnoticed to other people. I often mixed the colors of the sky, objects, and landscapes but mostly noticed shape, architecture against natural relationships, and color.
My involvement in Art became more clear after doing my undergrad work at Bemidji State University and getting my MFA in Painting at the University of Oregon, Eugene. After being involved for over four decades in the field of art and art education, I found that my artistic endeavors needed to lie in photography and collage since they were more immediate than painting. Since being partially retired, I have been able to focus more on my personal and professional artistic creation for the past five years. Returning to the practice of painting, I found that the plastic form of acrylic paint no longer met my artistic intentions. I instead discovered and found the use of oil and cold wax medium allowed me the freedom to move between paint, printmaking, collage, and photography. I take inspiration from the physical, emotional, and spiritual connections from place, time, and location. I look forward to the conversations that my paintings may evoke in you.
My work is abstract since that is how I experience life. We view life in segments, fleeting images and sounds, a simple flash of an impression. I may notice those nuances due to color, texture, spatial dimensions, surface, the dynamics between all of them and the statement and reason behind them. My work focuses on my reaction to the visual that I see and it is why place, time and location are instrumental.
I begin intuitively, allowing the painting to evolve and resolve itself through having a dialogue with it. The elements within a work have a dialogue while I paint and in turn, I have a conversation/dance with the artwork in order to arrive at a finished form. I find the composition and surface to show itself to me over time. At times this conversation can happen quickly if I am open to it and at other times it takes months or years to become resolved.
I have discovered that using oil and cold wax allows for surface build up, printmaking techniques, and texture to become a part of the finished piece. There is a transparency to the color which is strong yet seductive. The tools (rubber bowl scrapers, brayers, scribes, chopsticks, fingers) are instrumental in my painting process since mark making encourages a individual calligraphic dimension to the textures. The physical act of painting and mark making can be explored due to the addition of adding cold wax medium with oil paint, creating a slower drying time.
Diane Scully Biography
Being an introvert from a young age, I drew making my own personal symbols and marks. I grew up as an observer of my surroundings in my life and have a visual warehouse of things that most often go unnoticed to other people. I often mixed the colors of the sky, objects, and landscapes but mostly noticed shape, architecture against natural relationships, and color.
My involvement in Art became more clear after doing my undergrad work at Bemidji State University and getting my MFA in Painting at the University of Oregon, Eugene. After being involved for over four decades in the field of art and art education, I found that my artistic endeavors needed to lie in photography and collage since they were more immediate than painting. Since being partially retired, I have been able to focus more on my personal and professional artistic creation for the past five years. Returning to the practice of painting, I found that the plastic form of acrylic paint no longer met my artistic intentions. I instead discovered and found the use of oil and cold wax medium allowed me the freedom to move between paint, printmaking, collage, and photography. I take inspiration from the physical, emotional, and spiritual connections from place, time, and location. I look forward to the conversations that my paintings may evoke in you.
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KIMBLE BROMLEY: POND PAINTINGSJuly 2021
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Exhibition Details
Pond Paintings
For the past 15 years I have been painting my pond in rural Minnesota. I live on 20 acres made up of 12 acres of woods and an 8 acre pond. There, I paint on location celebrating the light and color I encounter. In 2019 I had the opportunity to travel to France to study Monet's paintings and to visit his gardens in Giverny. This was an inspirational experience! After letting this adventure simmer for two years, the scenes I encountered there are now coming to life in my paintings. The motifs that inspired hundreds of Monet's most mature work are seen in my paintings. My unique paintings are also filled with color and light as seen in the dynamic compositions. These paintings are my interpretation of the gardens Monet so lovingly created.
Kimble A. Bromley Biography
Kimble A. Bromley, originally from Iowa, is a professor of art at North Dakota State University, where he teaches painting and drawing. Kim and his wife Gretchen live in a house designed by Gretchen, by their pond just outside of Pelican Rapids, MN. Besides his art and seeing something new on the pond everyday Kim is an avid pool player and motorcyclist.
For the past 15 years I have been painting my pond in rural Minnesota. I live on 20 acres made up of 12 acres of woods and an 8 acre pond. There, I paint on location celebrating the light and color I encounter. In 2019 I had the opportunity to travel to France to study Monet's paintings and to visit his gardens in Giverny. This was an inspirational experience! After letting this adventure simmer for two years, the scenes I encountered there are now coming to life in my paintings. The motifs that inspired hundreds of Monet's most mature work are seen in my paintings. My unique paintings are also filled with color and light as seen in the dynamic compositions. These paintings are my interpretation of the gardens Monet so lovingly created.
Kimble A. Bromley Biography
Kimble A. Bromley, originally from Iowa, is a professor of art at North Dakota State University, where he teaches painting and drawing. Kim and his wife Gretchen live in a house designed by Gretchen, by their pond just outside of Pelican Rapids, MN. Besides his art and seeing something new on the pond everyday Kim is an avid pool player and motorcyclist.
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JODI REEB: EARTH + SKYMay 6 - July 31, 2021, Main Gallery
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Exhibition Details
Watch artist talk
Earth + Sky
The exhibition is a series of mixed-media paintings that draws attention to the landscape and pollinator-friendly plants.
Jodi created these mixed-media paintings using photographs taken at the Prairie Wetlands Learning Center, Maple Lake and the Glendalough State Park near Fergus Falls, Minnesota. Reeb also focused on pollinator friendly plants “from the bee’s perspective” and collaged the images with Encaustic (beeswax) and oil paint. Her primary material, encaustic, is comprised on 85% beeswax produced by the bees. With bee populations on the decline, Reeb’s concern for pollinators as well as her artistic medium is captured in her paintings in both subject and material. Reeb developed this new body of artwork after researching how to support the pollinator/bee species in Minnesota and during her Hinge Artist’s Residency at the Kirkbride September 2020.
The method of Encaustic painting involves applying hot molten beeswax with pigment to a painting surface, which is then “fused” (melted) with a torch or heat gun. This creates a variety of surfaces with textured and transparent layers. Encaustic painting allows me a wide range of tools and the process of transparent layering.
In conjunction with the exhibition, Jodi will host a virtual artist’s talk about her process of creating the work for the show. This activity is supported by the 2021 Creative Support for Individuals Grant awarded to Jodi by the Minnesota State Arts Board. Jodi will also teach an online workshop Encaustic with Photo Collage on October 28th. This grant is designed to help Minnesota artists adapt to changes in their working environment caused by the global pandemic.
Jodi Reeb Biography
For over 25 years, I have been a full-time artist creating paintings and sculpture. I have taught printmaking, acrylic and encaustic painting as well as book arts. My artwork has been shown nationally receive numerous awards and is in many private and corporate collections including Wells Fargo Mortgage, Target Corporation, UnitedHealthCare Group and the Hilton Hotel among others. In 2018, I received the Minnesota State Arts Board Grant and the Creative Support for Individuals Grant in 2021. I received a bachelor's degree in Fine Arts (BFA) from the Minneapolis College of Art & Design, MCAD, where I instructed printmaking for over 9 years. I am a CORE instructor for R&F Handmade Paints teaching monthly workshops in my studio as well as nationally. I also teach acrylic painting workshops and is a GOLDEN Acrylic Paints Artist Educator. I create my mixed-media paintings and sculptures in my studio at Traffic Zone Center for Visual Art where I have been a co-op member for 16 years in Minneapolis.
Earth + Sky
The exhibition is a series of mixed-media paintings that draws attention to the landscape and pollinator-friendly plants.
Jodi created these mixed-media paintings using photographs taken at the Prairie Wetlands Learning Center, Maple Lake and the Glendalough State Park near Fergus Falls, Minnesota. Reeb also focused on pollinator friendly plants “from the bee’s perspective” and collaged the images with Encaustic (beeswax) and oil paint. Her primary material, encaustic, is comprised on 85% beeswax produced by the bees. With bee populations on the decline, Reeb’s concern for pollinators as well as her artistic medium is captured in her paintings in both subject and material. Reeb developed this new body of artwork after researching how to support the pollinator/bee species in Minnesota and during her Hinge Artist’s Residency at the Kirkbride September 2020.
The method of Encaustic painting involves applying hot molten beeswax with pigment to a painting surface, which is then “fused” (melted) with a torch or heat gun. This creates a variety of surfaces with textured and transparent layers. Encaustic painting allows me a wide range of tools and the process of transparent layering.
In conjunction with the exhibition, Jodi will host a virtual artist’s talk about her process of creating the work for the show. This activity is supported by the 2021 Creative Support for Individuals Grant awarded to Jodi by the Minnesota State Arts Board. Jodi will also teach an online workshop Encaustic with Photo Collage on October 28th. This grant is designed to help Minnesota artists adapt to changes in their working environment caused by the global pandemic.
Jodi Reeb Biography
For over 25 years, I have been a full-time artist creating paintings and sculpture. I have taught printmaking, acrylic and encaustic painting as well as book arts. My artwork has been shown nationally receive numerous awards and is in many private and corporate collections including Wells Fargo Mortgage, Target Corporation, UnitedHealthCare Group and the Hilton Hotel among others. In 2018, I received the Minnesota State Arts Board Grant and the Creative Support for Individuals Grant in 2021. I received a bachelor's degree in Fine Arts (BFA) from the Minneapolis College of Art & Design, MCAD, where I instructed printmaking for over 9 years. I am a CORE instructor for R&F Handmade Paints teaching monthly workshops in my studio as well as nationally. I also teach acrylic painting workshops and is a GOLDEN Acrylic Paints Artist Educator. I create my mixed-media paintings and sculptures in my studio at Traffic Zone Center for Visual Art where I have been a co-op member for 16 years in Minneapolis.
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KERRI SANDVE: The LONG MEANWHILEMay 6 - July 31, 2021, Studio K
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Exhibition Details
Kerri (Mulcare) Sandve is an interdisciplinary artist and writer from St. Paul, MN working under the imprint Carbon Copy Co. Press. She received her Bachelor of Fine Arts in Print, Paper, Book Arts from Minneapolis College of Art and Design. She was a recent recipient of the MCAD Collegiate Fellowship in partnership with Minnesota Center for Book Arts, the 2020 T. Kimball Brooker/Caxton Club Scholarship through the Rare Book School, and The 2020 Friends of the Saint Paul Public Library Minnesota Book Artist Award for the collective efforts on the artist book My Mighty Journey: A Waterfall’s Story. Her artist books, zines, and prints reside in multiple collections across the Midwest.
Her primary methods of making revolve around printmaking, collage, and artist books. Her work centers on memory, personal archive, and human-landscape relationships. These often highlight aspects of connection to the land and to each other, loss, and the non-linearity of time. Largely influenced by the topography and history of the Mississippi River Valley, she translates text, drawing, and found/archival images through the highly tactile mediums of printmaking and collage to reflect on the complexities of inheritance, the experience of the everyday, and the intimate relationships humans have with their environment.
The artworks in The Long Meanwhile were all created during the Covid-19 pandemic and reflect the layered complexity and range of emotions, thoughts, and experiences throughout. The works are a space between time–portals connecting before, to now, and after. Through glimpses of color, movement, shape, and texture–these works are openings to new dimensions, new landscapes–thoughts on time/distance and ways of looking/imagining that have shaped her reality these last 15 months.
Her primary methods of making revolve around printmaking, collage, and artist books. Her work centers on memory, personal archive, and human-landscape relationships. These often highlight aspects of connection to the land and to each other, loss, and the non-linearity of time. Largely influenced by the topography and history of the Mississippi River Valley, she translates text, drawing, and found/archival images through the highly tactile mediums of printmaking and collage to reflect on the complexities of inheritance, the experience of the everyday, and the intimate relationships humans have with their environment.
The artworks in The Long Meanwhile were all created during the Covid-19 pandemic and reflect the layered complexity and range of emotions, thoughts, and experiences throughout. The works are a space between time–portals connecting before, to now, and after. Through glimpses of color, movement, shape, and texture–these works are openings to new dimensions, new landscapes–thoughts on time/distance and ways of looking/imagining that have shaped her reality these last 15 months.
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MICHAEL WEATHERLY: BEHIND THE DOORMarch 13 - May 1, 2021, Main Gallery
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Exhibition Details
Watch artist talk
Michael Weatherly is a local print artist whose most recent body of work, Behind the Door, currently showing in the Kaddatz Main Gallery, consists of expressive smaller works depicting human emotions and full-sized carved wooden doors addressing the global prescription drug epidemic.
Each door is displayed in conjunction with the resulting prints. This exhibition was on display March 13 - May 1, 2021.
Michael Weatherly is a local print artist whose most recent body of work, Behind the Door, currently showing in the Kaddatz Main Gallery, consists of expressive smaller works depicting human emotions and full-sized carved wooden doors addressing the global prescription drug epidemic.
Each door is displayed in conjunction with the resulting prints. This exhibition was on display March 13 - May 1, 2021.
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KIM EMBRETSON: OTTER TAIL RIVER PROJECTMarch 13 - May 1, 2021, Studio K
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Exhibition Details
Watch artist talk
Kim Embretson discussed his premier exhibition, Otter Tail River Project which was on display in the Kaddatz Galleries' Studio K from March 13 - May 1, 2021.
Otter Tail River Project contains 13 oil paintings depicting scenes with both natural and man-made elements found along the Otter Tail River which flows through Otter Tail County and runs directly behind the Kaddatz Galleries.
Kim Embretson discussed his premier exhibition, Otter Tail River Project which was on display in the Kaddatz Galleries' Studio K from March 13 - May 1, 2021.
Otter Tail River Project contains 13 oil paintings depicting scenes with both natural and man-made elements found along the Otter Tail River which flows through Otter Tail County and runs directly behind the Kaddatz Galleries.
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JON OFFUTT: Capturing the prairie in glassNovember 4 - December 31, 2020, Main Gallery
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Exhibition Details
Watch artist talk
Jon Offutt has worked for years, developing his glass blowing skills to capture the shapes, the colors and the light of the plains. His inspiration comes from gazing across the prairie, his interpretation is stunning works of art in the form of blown glass. Jon works from his home studio located in Fargo, ND.
Jon Offutt has worked for years, developing his glass blowing skills to capture the shapes, the colors and the light of the plains. His inspiration comes from gazing across the prairie, his interpretation is stunning works of art in the form of blown glass. Jon works from his home studio located in Fargo, ND.
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CHANDRA KRAFT: LAKE CARLOS STATE PARK: SUMMER OF 2020November 4 - December 31. 2020, Studio K
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Exhibition Details
Watch artist talk
A resident of Alexandria, MN, Chanda Kraft was one of the 2019-2020 Cohort Artists through the Lake Region Arts Council, Arts Resource Expert Program and is our current exhibiting artist in Studio K, where her most recent series of small oil landscapes and graphite drawings, “Lake Carlos State Park: Summer of 2020” is being shown.
Lake Carlos State Park: Summer 2020A love for nature compels Chanda Kraft’s art. Exploring natural settings and creating art from those experiences are restorative practices that bring feelings of connection to the universe, reduce anxiety, and bring her immense joy. Chanda spent the summer painting at Lake Carlos State Park to capture just some of the beauty close to home. Staying close to home was also a practical choice with the uncertainty of Covid-19. Most of the works in this collection were started en plein air and finished in the studio.
Chanda Kraft, an Alexandria, MN visual artist, captures landscapes, florals, and wildlife in oil, watercolor, and drawing mediums. She is inspired by the Dutch Golden Age, Hudson River School, and Naturalism art movements. Her home studio overlooks Lake Carlos where she lives with her husband Philip and her two children. Chanda is an advocate for sustainability and wilderness conservation and she holds degrees in graphic design, psychology, and Master’s of Arts in Teaching. She also enjoys teaching art workshops, outdoor adventures with her family, fiber arts, and classical guitar.
A resident of Alexandria, MN, Chanda Kraft was one of the 2019-2020 Cohort Artists through the Lake Region Arts Council, Arts Resource Expert Program and is our current exhibiting artist in Studio K, where her most recent series of small oil landscapes and graphite drawings, “Lake Carlos State Park: Summer of 2020” is being shown.
Lake Carlos State Park: Summer 2020A love for nature compels Chanda Kraft’s art. Exploring natural settings and creating art from those experiences are restorative practices that bring feelings of connection to the universe, reduce anxiety, and bring her immense joy. Chanda spent the summer painting at Lake Carlos State Park to capture just some of the beauty close to home. Staying close to home was also a practical choice with the uncertainty of Covid-19. Most of the works in this collection were started en plein air and finished in the studio.
Chanda Kraft, an Alexandria, MN visual artist, captures landscapes, florals, and wildlife in oil, watercolor, and drawing mediums. She is inspired by the Dutch Golden Age, Hudson River School, and Naturalism art movements. Her home studio overlooks Lake Carlos where she lives with her husband Philip and her two children. Chanda is an advocate for sustainability and wilderness conservation and she holds degrees in graphic design, psychology, and Master’s of Arts in Teaching. She also enjoys teaching art workshops, outdoor adventures with her family, fiber arts, and classical guitar.
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Charles (Chuck) Christianson: SMALL PAINTINGSSeptember 15 - October 31, 2020, Main Gallery
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Exhibition Details
Watch artist talk
Charles (Chuck) Christianson sat down with us to discuss his history, what inspires his creative process and the evolution of his mediums among other things. Note, there is an issue with background noise in this video recording.
Charles (Chuck) Christianson sat down with us to discuss his history, what inspires his creative process and the evolution of his mediums among other things. Note, there is an issue with background noise in this video recording.
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TERRY l WILLIAMS: THE Evolution of artistSeptember 17 - October 31, 2020, Studio K
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Exhibition Details
Watch artist talk
Terry L Williams is a Henning, MN based artist who has been creating art for over 40 years. Most recently his creative process includes a unique, sculptural technique which lends a 3-D quality to his paintings.
Terry L Williams is a Henning, MN based artist who has been creating art for over 40 years. Most recently his creative process includes a unique, sculptural technique which lends a 3-D quality to his paintings.
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JIM Fletcher: ReactionsAugust 2020, Main Gallery
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Exhibition Details
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PATRICIA ANN WAHL: the good flowers clubAugust 2020, Studio K
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Exhibition Details
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Blayze buseth: Tom's AdventureJuly 2020, Main Gallery
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Carmen McCullough: mixed Media MedleyJuly 2020, Studio K
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Exhibition Details
Watch artist talk
Carmen McCullough is a mixed media artist from Detroit Lakes, MN. Learn about her inspiration and process in her virtual artist talk!
Carmen McCullough is a mixed media artist from Detroit Lakes, MN. Learn about her inspiration and process in her virtual artist talk!
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QUILT NOT QUILT: THE AFTERLIFEFebruary 18 - March 20, 2020, Main Gallery
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Exhibition Details
Quilt, Not Quilt: The Afterlife, is an exhibition of twelve artists who have repurposed tattered quilts into reflective and collaborative new art forms including paper, poetry, and broadside prints.The participating artists contemplated connections to the original quilts and their makers, focusing on craftsmanship and labor, scarcity and plenty, and on stories that can be recalled and stories never to be recovered. Responding to questions of social, cultural, and economic history, the resulting exhibition culminates in a multitude of diverse and unexpected transformations in material, story, and form.
Exhibiting artists:
Patty Wheeler Andrews
Zoë Bird
Katy G. Collier
T.J. Goerlitz
Georgia A. Greeley
Karen C. Kinoshita
Jerry McClelland
Dana LeMoine
Rosa María de la Cueva Peterson
Cathy Ryan
Morgan Grayce Willow
Sarita Zaleha
This exhibit also includes a Community Quilt Book local collaboration piece, that was created during the Free Adult Art Class at the Fergus Falls Public Library with Twin Cities based artist and poet Georgia A. Greeley on February 12.
Exhibiting artists:
Patty Wheeler Andrews
Zoë Bird
Katy G. Collier
T.J. Goerlitz
Georgia A. Greeley
Karen C. Kinoshita
Jerry McClelland
Dana LeMoine
Rosa María de la Cueva Peterson
Cathy Ryan
Morgan Grayce Willow
Sarita Zaleha
This exhibit also includes a Community Quilt Book local collaboration piece, that was created during the Free Adult Art Class at the Fergus Falls Public Library with Twin Cities based artist and poet Georgia A. Greeley on February 12.
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Pieper Fleck Bloomquist
January - February, 2020, Main Gallery
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Exhibition Details
Watch artist talk
Pieper Fleck Bloomquist is a contemporary master Scandinavian and Austrian folk artist and Minnesota native currently residing in North Dakota. Bloomquist has received many awards and has been featured on Prairie Public Television. She exhibited her contemporary Rosemaling, Dalmålning and Swedish Bonadsmålning work in the Kaddatz main gallery.
Rosemaling and Dalmålning in the Modern Age consists of both traditionally painted plates, plaques, cupboards and trunks as well as painted canvases, some of which depict a more contemporary subject matter, namely Bloomquist’s hometown of Regal, MN.
Pieper Fleck Bloomquist is a contemporary master Scandinavian and Austrian folk artist and Minnesota native currently residing in North Dakota. Bloomquist has received many awards and has been featured on Prairie Public Television. She exhibited her contemporary Rosemaling, Dalmålning and Swedish Bonadsmålning work in the Kaddatz main gallery.
Rosemaling and Dalmålning in the Modern Age consists of both traditionally painted plates, plaques, cupboards and trunks as well as painted canvases, some of which depict a more contemporary subject matter, namely Bloomquist’s hometown of Regal, MN.
BLACK ARTS TAROT: MAJOR ARCANA
October 2019
Exhibition Details
Discover and explore different printmaking techniques in The Black Arts Tarot, an exhibition of hand-pulled prints by artists from across the country. The Black Arts is an old term describing the discipline of printmaking, because of the technical ability to create very rich, deep blacks. Originally used for gambling and storytelling, tarot cards are 15th century precursors to contemporary playing cards. Some of the oldest playing cards were created by unknown engraving masters such as Master ES, who worked in Germany around 1450-1467. By the 18th century, variations of these decks were used largely for divination.
Building on the tradition of artist-made playing and tarot cards, each of the twenty-two artists in this exhibition created a contemporary interpretation of one of the cards from the Major Arcana, or one of the twenty-two picture cards in a tarot deck, using their printmaking method of choice.
Organized by Joshua Butler (Grand Junction, CO), Matthew Hanson-Weller (Durango, CO) and J. Charles Cox (Fergus Falls, MN), the prints in The Black Arts Tarot are the result of a printmaking exchange. A printmaking exchange is coordinated between artists who agree to create, edition and exchange an image related to a specific theme.
Building on the tradition of artist-made playing and tarot cards, each of the twenty-two artists in this exhibition created a contemporary interpretation of one of the cards from the Major Arcana, or one of the twenty-two picture cards in a tarot deck, using their printmaking method of choice.
Organized by Joshua Butler (Grand Junction, CO), Matthew Hanson-Weller (Durango, CO) and J. Charles Cox (Fergus Falls, MN), the prints in The Black Arts Tarot are the result of a printmaking exchange. A printmaking exchange is coordinated between artists who agree to create, edition and exchange an image related to a specific theme.